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Internet Edition. August 22, 2008, Updated: Bangladesh Time 12:00 AM |
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Remembering Shamsur Rahman Mohammad Shahidul Islam If Tagore was the last poet in the Bengali tradition, Jibanananda Das was the first of a new breed. And this new breed, in the trend of Bengali modern and post modern poetry, has been unarguably continuous with the powerful contributions of Shamsur Rahman. Shamsur Rahman emerged in his time as the most popular poet of modern Bengali literature. Popularity apart, Shamsur Rahman had distinguished himself as an extraordinary poet presenting a paradigm hitherto best chosen. It is a fact that his most familiar poetic diction, choice of words and thematic preferences took not much time to reach the heart of the readers. Today it can be said without exaggeration that the poetry of Shamsur Rahman has become the defining essence of modernism in 21st century Bengali poetry. Shamsur Rahman was born on 24th October , 1929 in Dhaka. He studied at Pogos High School[ matriculation in 1945], Dhaka College and Dhaka University. Shamsur Rahman wrote most of his poems in free verse, often with the rhythm style known as Poyaar or Aakhsharbritto. It is popularly known that he followed this pattern from poet Jibanananda Das. He also wrote poems in two other major patterns of Bengali rhythmic style, namely, Matrabritto and Shorobritto. Of Bengali modern poets, poet Shamsur Rahman was equally popular in both Banglas. Surely, his early poems bear the influence of Jibanananda's and some other poets like Satyendranath Dutta and Buddhadeb Bose. However, before long, he thoroughly overcame all influences and created a post modern poetic diction. However, as his style and diction matured, his message appeared to touch urban hearts. In fact, he put huge attention on liberal humanism, human relations, romanticised rebellion of youth, the emergence of consequent events in Bangladesh, and opposition to religious fundamentalism in his poetry and writings and these were considered mostly comprehensible. His poetic talent has reserved a crown for him in Bengali modern poetry. His literary creativity transcended borders and revealed his literary, social and political commitments. The poet not only came to be looked upon as the nation's conscience keeper but also as someone who provided intellectual and moral sustenance to liberals. And when the real test came, he led from the front and inspired them to emerge victorious. His role in ousting a dictator like Ershad from power is well known. Also quite widely known was his abhorrence for the country's past rulers whose outfits once had made an attempt on his life. Their intense and pronounced hatred for him centered round his stout commitment to the values of the liberation war, especially secularism. His most celebrated works include Prothom Gan Ditio Mrittur Age (1960), Roudro Korotite (1963), Biddhosto Nilima (1967), Bondi Shibir Theke (1972), Bangladesh Shopno Dakhay (1977), Udbhot Uter Pithe Cholche Shodesh (1983) , Buj Tar Bangladesher Hridoy (1988) , Octopas (1983), Adbhut Adhar Ak(1985), Alating Belating(1974), Robert Froster Kobita(1966), Robert Froster Nirbachito Kobita(1968) and many other creative works. He has achieved numerous awards like Adamjee Award (1962), Bangla Academy Award (1969), Ekushey Padak (1977, Swadhinata Dibosh Award (1991), Mitshubishi Award of Japan (1992), Ananda Puroshker from India (1994),TLM South Asian Literature Award for the Masters, 2006 etc. Shamsur Rahman died in Dhaka at the age of 77 on 17th August 2006. Bengali literature received a big blow with the death of Bangladesh's poet laureate Shamshur Rahman. His death also dealt a body blow to all those in Bangladesh who have fought authoritarianism, and the terror of Islamists for upholding the cause of secularism, democracy and Bengali nationalism. We remember this prolific poet with due homage in his second death anniversary.
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